Meet me at the museum...The unifying effect of art

by ARTZ
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Meet me at the museum...The unifying effect of art
Meet me at the museum...The unifying effect of art
Meet me at the museum...The unifying effect of art
Meet me at the museum...The unifying effect of art
Meet me at the museum...The unifying effect of art
Meet me at the museum...The unifying effect of art
Meet me at the museum...The unifying effect of art
Meet me at the museum...The unifying effect of art
Meet me at the museum...The unifying effect of art
Meet me at the museum...The unifying effect of art
Meet me at the museum...The unifying effect of art
Meet me at the museum...The unifying effect of art
Meet me at the museum...The unifying effect of art
Meet me at the museum...The unifying effect of art
Meet me at the museum...The unifying effect of art

Project Report | Sep 20, 2017
ARTZ Report 09202017

By cindy barotte | Project leader

A visit at the Louvre
A visit at the Louvre

 

Cultural Action for Alzheimer

68 rue des Plantes

75014 Paris, France

September 20, 2017

 

 

Acting together for a global outreach of another perspective on Alzheimer’s

 

Dear donor,

Thank you so much for your generosity! We are very touched that you have chosen to support our cause.

 

 

 

Together we can provide immense benefits to patients with Alzheimer’s and related dementia. We can:

  • Prevent loss of autonomy
  • Stimulate cognitive and motor functions
  • Repair and/or sustain self-esteem
  • Stimulate relational capacities and social contacts

 

The demand is immense:

There are an estimated 5.5 million Americans living with Alzheimer's dementia in 2017; an estimated 5.3 million are age 65 and older. Almost two-thirds of Americans with Alzheimer's are women. Because of the increasing number of people age 65 and older in the United States, particularly the oldest-old, the number of new cases of Alzheimer's and other dementias is projected to soar. In 2016, 15.9 million family and friends provided 18.2 billion hours of unpaid assistance to those with Alzheimer's and other dementias.

 

Going Virtual, going global through Technology:

 

In 2016, the association finalized the concept of a website offering virtual visits which permits patients to experience visits at home, accompanied by a trained family member or community service volunteer, and thus dramatically expands the scope of the help brought by the association, even to those who are home-bound because of geographical, mobility, or other health challenges.  The caregiver providing the accompaniment can easily manipulate the basic computer interactions required.  

 

Each virtual visit includes the guided progressive discovery of four works of art, each in photographic format. This discovery occurs through a series of carefully adapted open questions, comments, explanations of key artistic symbols.  The cultural, anthropological, historical, and/or artistic context is given, which allow the patient to concentrate on the structural elements of a work, and thereby to develop for themselves the meaning or significance of that work.   

 

Benefits to caregivers:

  • Requires no prior knowledge of art by either the patient or the caregiver
  • With basic computer skills provides easily managed, enjoyable, adapted, and structured activity to be shared with the patient
  • Motivating and purposeful activity is not perceived as a “chore”
  • Provides an indirect training for better adapted methods of communication with the patient
  • Provides an alternative to negative or frustrating social interactions, through validation, the stimulation of verbal exchange, and affective retrieval of the patient’s personal long-term memories and associations.
  • The visits are rich in content and stimulating to the caregiver
  • Wide range of choices on the website mean that visits can be adapted to personal tastes and done frequently without repetition.
  • Intervention can be done one-on-one or in small groups, at home or in an institutional setting, wherever there is internet connection. 
  • Unlike the production of art, requires no additional supplies or space, just a computer and internet connection
  • Caregivers note that patients tend to show improved mood and cooperation, as well as a reduction in negative behavioral symptoms.

 

Testimonial from a volunteer:

 

I felt good…

“This encounter was a privilege for me; I immediately felt like a member of the family. I wanted to give, but I was also expecting to receive something from the person. A gesture, a smile, their face lighting up was a reward for me that encouraged me to go further. I felt that she wanted to get out of her daily routine to go to the Louvre – she was very motivated to go with me. And that made me feel bigger; because I had the feeling that I could serve a purpose. I was going to give my time to someone who really needed it and who I was going to give some enjoyment to. And I realized then that we could give some time – it only took me two hours, but those two hours were very important for her and for me. I said to myself: I’m going to give her a lot, but she’s also going to give me a lot. My way of looking at life has changed. I understand now that if we all gave a little of our time to others, if only one hour a week, we’d gain so much from it. I realized that helping others was something I missed”.

 

Below you will find an example of our approach to the discovery of a work of art:

 

 

  1. Van Gogh wrote his sister, “Sometimes it seems to me that the night has even richer colors than the day.”  Do you see the richness of the colors?

 

Guidage: Try to identify the blue, the yellow, the orange, the green and look carefully how he painted the stars.

 

The blue of the night dominates the composition. The painter chooses cobalt blue.  This is the deepest blue for painting the night.  It appears in the highest portions of the sky, at the peak of the steeples in the city, and on the edges of the shore. Van Gogh uses it in a variety of ways. He associates it with the artificial lights of the city and with the natural light of the stars. The stars are white dots surrounded by tiny lemon-yellow rays of light. The lights of the city are orange yellow. He adds touches of bronze/green for the wharf, on the water, and in the rays of light from the stars.

 

  1. Van Gogh seems to oppose the nightlife to the silence of the night. How can we see it ? 

 

Guidage : Oppose the artificial lights of the city to the calm of the nature in the foreground.

 

There are no people in this starry space, except for the couple of lovers facing us. They seem lost or crushed by this infinity of blue. This work is based on the contrast between the dark mass of the water and the shimmering reflections of the city. Van Gogh enjoys opposing the vibrancy of the city, which we can guess from its artificial lights, with the silence of the night. These artificial lights might be gas lights shining from the terraces of cafes. The silence of nature answers the noisy, animated life of the human world. The water would be the boundary: on one side the nightlife in the city, on the other the quiet of the night, inspiring the lovers taking a walk.

 

If you wish, we would be pleased to invite you to take part in our annual meetings or to receive your opinion and testimony about the disease, our experience and our association.

 

We will post regularly on the website final reports of actions we have done with all the donations we receive.

 

Warmly

Cindy Barotte

Director of the ARTZ Association

 

For more information about the association here is the link to our website: www.actionculturellealzheimer.org

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Organization Information

ARTZ

Location: Paris - France
Website:
Facebook: Facebook Page
Project Leader:
Barotte Cindy
Executive director
Paris , France
$11,862 raised of $30,000 goal
 
127 donations
$18,138 to go
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